Knowing Bush Wheels

Tsodilo Hills

The Tsodilo Hills are a UNESCO World Heritage Site (WHS), consisting of rock art, rock shelters, depressions, and caves. It gained its WHS listing in 2001 because of its unique religious and spiritual significance to local peoples, as well as its unique record of human settlement over many millennia. UNESCO estimates that there are over 4500 rock paintings at the site. The site consists of a few main hills known as the Child Hill, the Female Hill, and the Male Hill. These hills are of great cultural and spiritual significance to the San People of the Kalahari.

In 2006 the site known as Rhino Cave became prominent in the media when Sheila Coulson of the University of Oslo stated that 70,000-year-old artifacts and a rock resembling a python's head representing the first known human rituals had been discovered. She also backed her interpretation of the site as a place of ritual based on other animals portrayed: "In the cave, we find only the San people's three most important animals: the python, the elephant, and the giraffe. Since then some of the archaeologists involved in the original investigations of the site in 1995 and 1996 have challenged these interpretations. They point out that the indentations (known by archaeologists as cupules) described by Coulson do not necessarily all date to the same period and that "many of the depressions are very fresh while others are covered by a heavy patina." Other sites nearby (over 20) also have depressions and do not represent animals. The Middle Stone Age radiocarbon and thermos-luminescence dating for this site does not support the 70,000-year figure, suggesting much more recent dates.

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Discussing the painting, the archaeologists say that the painting described as an elephant is actually a rhino, that the red painting of a giraffe is no older than 400 AD and that the white painting of the rhino is more recent, and that experts in rock art believe the red and white paintings are by different groups. They refer to Coulson's interpretation as a projection of modern beliefs on to the past and call Coulson's interpretation a composite story that is "flat-out misleading". They respond to Coulson's statement that these are the only paintings in the cave by saying that she has ignored red geometric paintings found on the cave wall.

They also discuss the burned Middle Stone Age points, saying that there is nothing unusual in using nonlocal materials. They dismiss the claim that no ordinary tools were found at the site, noting that the many scrapers that are found are ordinary tools and that there is evidence of tool making at the site. Discussing the 'secret chamber', they point to the lack of evidence for San shamans using chambers in caves or for this one to have been used in such a way.